viernes, 11 de marzo de 2016

MercatorNet: If only we could ask Euripides about refugees

MercatorNet: If only we could ask Euripides about refugees





If only we could ask Euripides about refugees

How did the ancient Greeks treat their refugees?
Laura Swift | Oct 7 2015 | comment 1 
    




 Carsten Rehder/EPA    
Berlin recently agreed to curb the number of migrants it welcomed after a backlash against Angela Merkel’s suspension of EU rules limiting numbers. It followed previous scenes of crowds welcoming new arrivals, which commentators had suggested was a response to neo-Nazi violence and a move by the nation to repudiate its past.

Similarly, when David Cameron was attacked for the language he used of migrants earlier in the summer, critics contrasted it with Britain’s record for welcoming refugees in the 20th century. The Hungarian prime minister’s controversial comments on “keeping Europe Christian” looks back to a less comfortable part of European identity: the legacy of the crusades, and the idea of an alliance against “infidels”.

The debate is emotional as well as economic. And while recent horrors have led to this emergency, the broader question of how much wealthy countries owe to others in need is hardly a modern issue. In ancient Athens we see the same debate, and similarly emotive appeals in the name of national identity were used to win it.

Athenian welcome  

Athens prided itself on welcoming the needy from other parts of the Greek world. Athenian myth dwells on how their ancestors offered sanctuary to those bullied by other cities, and these were repeated in the political arena. According to the historian Herodotus, Athenians drew on myths of how they protected vulnerable foreigners in order to win a dispute among the Greeks over who should take place of honour on the battlefield. Nearly 50 years later, according to Thucydides’s Histories, the politician Pericles praises Athens’s willingness to help others in his funeral oration, the formal speech of Athenian values given in honour of the war dead.

This belief in Athens’s duty to help others had real consequences. In Thucydides’s account of the debate over whether to go to war in Sicily (a decision which ultimately led to Athens’s downfall), the politician Alcibiades supported war, arguing that Athens’s greatness was won by coming to the help of all who needed it. His opponent Nicias on the other hand urged the Athenians to change their policy and only make alliances with people likely to provide aid in return.

But the most profound exploration of what is involved in taking in refugees is found in Greek tragedy. Nowadays we are most familiar with classical plays that deal with tensions within the family. But Greek tragedy also handles political questions, and how to deal with migrants is a recurrent theme. While Athens was proud of its mythical record of taking in refugees, in tragedy these stories are used to investigate how much our core values should mean to us.

The refugee plays 

Euripides’s Children of Heracles is rarely performed today, but is the perfect play to reflect on the migrant crisis. It tells of how Athens protected the children of Heracles, who were persecuted by the Argives and driven from their homes in the Peloponnese. The Athenian king Demophon (whose name, “voice of the people”, shows that he represents the national character) gives the children asylum and protects them from the army, though he risks Athenian lives by doing so.

The play does not question that it is morally right to protect these children. But it explores the cost of doing so, and how far a country should go to do the right thing. The limits of Athenian kindness are tested when we learn of a prophecy that another child must be sacrificed to defeat the Argives. Demophon faces civil war if he puts his citizens’ families in danger to protect outsiders. Through this myth, Euripides explores the burden that refugees place on the native population, and how far people can be expected to put their own interests aside for the sake of shared humanity. Politicians in Europe are now struggling with the same dilemma of how much they can ask of their citizens in order to live up to their moral ideals.

The costs and benefits of taking in refugees feature in other plays, where fallen heroes from across Greece make their way to Athens for protection. These people are not innocent children, but have done terrible things. Taking them in is therefore risky, though may offer long term rewards. In Sophocles’s Oedipus at Colonus, the Athenians offer sanctuary to the blind Oedipus, who has murdered his father and married his mother, despite their fear that hosting him will bring divine anger. At the end of the play we learn that his spirit will protect Athens in the future.

On the other hand, in Euripides’s Medea, Medea persuades the Athenian king to take her in, presenting herself as a refugee persecuted by the Corinthians. It is his vow to protect her that enables her to kill her own children, confident that Athens will have to offer her refuge when she flees the scene. Medea explores how a nation’s kindness can be abused, and the difficulties of assessing which claims to asylum are genuine.

But as a whole the plays tend to celebrate Athens’s readiness to welcome those in need. While helping provokes conflict, it is the risk involved that gives Athens a claim to moral uniqueness.

British audiences are enjoying an unprecedented flush of Greek tragedy, with the Almeida theatre devoting an entire season to its “big hits”. However, plays that focus on Athenian identity are rarely performed today, and are often felt to be jingoistic or parochial, their themes of little interest in the modern world. But as real life tragedy plays out on the shores of the Mediterranean, these lesser known texts have relevance to our understanding of what we owe to our fellow citizens and to other human beings.

Laura Swift, Lecturer in Classical Studies, The Open University. This article was originally published on The Conversation. Read the original article.
- See more at: http://www.mercatornet.com/articles/view/if-only-we-could-ask-euripides-about-refugees/16967#sthash.HcBEx9NW.dpuf



MercatorNet



In the wake of the huge controversy last year about the use of fetal tissue obtained from Planned Parenthood abortion clinics, the US Congress held hearings last week about “Bioethics and Fetal Tissue”. Today we have published some excerpts from the testimony of G. Kevin Donovan, Director of the Pellegrino Center for Clinical Bioethics and Professor in the Department of Pediatrics at Georgetown University School of Medicine in Washington DC.
It is excellent: there is absolutely no fudging about the central issue -- the moral status of a living human being who differs only in maturity from those who would end its life and take its tissues and organs for research. Says Dr Donovan:
We are at a difficult time in our nation’s history. We demonstrate much moral ambiguity in our approach to the human fetus. We have decided that we can legally abort the same fetus that might otherwise be a candidate for fetal surgery, even using the same indications as justification for acts that are diametrically opposed.
We call it the fetus if it is to be aborted and its tissues and organs transferred to a scientific lab. We call it a baby, even at the same stage of gestation, when someone plans to keep it and bring it into their home.
Highly recommended.




Carolyn Moynihan

Deputy Editor,

MERCATORNET



The fight over abortion in the UN

Elyssa Koren | FEATURES | 11 March 2016
Parsing the New International Development Agenda

Read more...
Africa needs to invest in its youth, not prevent their being born

Mathew Otieno | HARAMBEE | 11 March 2016
The continent’s GDP growth shows that its young population is a resource.

Read more...
America’s tortured debate over the ‘fetus’

G. Kevin Donovan | FEATURES | 11 March 2016
Lifesaving research should not require the destruction of life, says a bioethicist

Read more...
Macbeth

Laura Cotta Ramosino | POPCORN | 11 March 2016
An intense and poetic but also unsatisfying interpretation of this Shakespearean drama of murderous ambition.

Read more...
Japanese population decline - it’s official!

Marcus Roberts | DEMOGRAPHY IS DESTINY | 11 March 2016
A drop of 0.7% since 2010.

Read more...
MERCATORNET | New Media Foundation

Suite 12A, Level 2, 5 George Street, North Strathfied NSW 2137, Australia


No hay comentarios: