Most entries to the Eurovision song contest are frothy pop tunes, but this year’s contribution from Ukraine addresses Stalin’s deportation of the entire Tatar population of Crimea in May 1944. It may seem an odd choice, but is actually very timely if we dig a little into the history of mass repression and inter-ethnic tensions in the region.
Almost a quarter of a million Tatars, an ethnically Turkic people indigenous to the Crimea, were moved en masse to Soviet Central Asia as a collective punishment for perceived collaboration with the Nazis. Between a third and a half of them died on the journey or in the “special settlements” of the Gulag that became their home. The death rate, combined with the aim of the regime to blend the Tatars into the Muslim, Turkic peoples of Central Asia, has led some to call the episode an attempted genocide, including the Ukrainian parliament in 2015.
The deportation was one of many examples of the mass repression of ethnic minorities in the history of Soviet Russia – which by no means limited mass repression to ethnic minorities.
Stalin and much of the Soviet leadership were peculiarly sensitive to the threat various groups presented to the Bolshevik Revolution in the years after 1917. In the years they spent planning and preparing for the seizure of power, they sought to understand why previous global revolutions (in 1789, 1848, 1871, 1905) had failed. They commonly drew the conclusion that previous generations of revolutionaries had failed adequately to anticipate the energy and violence with which the establishment (the “bourgeoisie”) would react.
The Soviet leadership’s own experience in the aftermath of the October Revolution of 1917 served to reinforce this view. Between the late spring of 1918 and the end of 1921 they had to overcome the combined forces of the old imperial army (the “Whites”) and foreign armed forces from Germany, Britain, Poland, Czechoslovakia and Japan among others. It was an exceptionally violent struggle, and the Bolsheviks tended to credit the prosecution of a ruthless “Red” terror for their victory.
While there were no immediate threats to Revolution in the 1920s, the political police were instructed to look for evidence of counter-revolutionary conspiracy at home and abroad, and were given powers that predisposed them to exaggerate the threats they did find. Non-Russian ethnicities were not initially high on the list of threats – although this was not because they were seen as being sympathetic to the Bolsheviks, which they weren’t.
1944 by Jamala
The threat within
The new regime had a hard time drawing many of the republics on the Russian periphery into the Soviet “Union”. Initially in the 1920s the Bolsheviks actively courted the non-Russians with promises of “freedom” from policies of forced assimilation characteristic of the Russian Imperial regime. Joseph Stalin was Lenin’s commissar of nationalities, and together the two developed a nationalities policy that encouraged the flourishing of national and ethnic cultures, as long as they remained “socialist in content”.
But it was not long before Stalin became concerned that this conciliatory nationalities policy was encouraging separate identities that would present a challenge to central power. By the mid-1930s, the threat of war deepened with the rise of the virulently anti-communist Nazi regime in Germany and the militarists in Japan. After the assassination of Politburo member Sergei Kirov in December 1934, the regime became hyper-sensitive to potential “counter-revolutionary” threats.
Between 1936 and 1938, the regime lashed out, murdering three quarters of a million people it considered real or potential enemies of the regime. Many of the victims were non-Russians, and many national groups, including Poles, Germans and Koreans, were targeted because their loyalty as nations to the USSR was held in doubt. During and after World War II, the regime deported over 3m members of non-Russian ethnic groups suspected of collaboration with the Nazis. The 240,000 Crimean Tatars shared their horrendous fate with many other victims.
After the Nazi army took over the Crimean peninsula in October 1941, it’s true that there were many detachments of Crimean Tatar soldiers recruited to the Wehrmacht – perhaps as many as 20,000 soldiers – but they could legitimately claim that they had little choice but to accept the Germans' “offer”. The probability is that some fought because they wanted to defeat the Soviet regime, some fought because joining the Wehrmacht was a way to ensure a steady diet when food was scarce, and others were afraid of reprisals.
Battle for compensation
Stalin died in 1953, and his successor Nikita Khrushchev denounced many of Stalin’s crimes, including the deportations. The charges of collaboration against the Tatars were formally dropped in 1967, but in contrast to some of the other persecuted national groups, they were not allowed to return home until the late 1980s.
Hundreds of thousands did then return to the Crimea, but their villages and property had long since been redistributed, such that most had to rebuild their lives from scratch often on land where they were little more than squatters.
They are still seeking recognition for their plight, and some form of compensation, from Russian, Ukrainian and European authorities. The challenge of coming to some sort of solution has, however, been exacerbated by the poverty, political instability, ethnic tensions and corruption endemic in the region.
The annexation of Crimea by the Russian government in 2014 added another layer of complication. Many of the historically persecuted ethnic minorities of the former Soviet Union – including many Ukrainians – blame the “Russians” for their plight, rather than Stalin and subsequent Soviet and post-Soviet elites.
For that reason, the Ukrainian Eurovision entry makes sense. This is not because the Crimean Tatars are ethnically Ukrainian (which they are not as they are Turkic), but because with the Tatars, many ethnic Ukrainians share a sense of grievance with “the Russians” about the annexation of Crimea, the war on their frontier with Russia, and a longer history of perceived persecution on ethnic lines.
James Harris is Senior Lecturer in Modern European History at the University of Leeds. This article was originally published on The Conversation. Read the original article.- See more at: http://www.mercatornet.com/articles/view/1944-eurovision-and-the-crimean-tartars/17751#sthash.09JZjVe2.dpuf
- See more at: http://www.mercatornet.com/articles/view/1944-eurovision-and-the-crimean-tartars/17751#sthash.09JZjVe2.dpuf
If there is such a thing as a national character, a good place to start surveying them is the annual Eurovision Song Contest. They all tend to be frothy, boppy tunes in English which suggests cultural homogeneity. But national characteristics do break through.
One that is highlighted below is Ukraine’s entry for 2016: a song called 1944 by Jamala, a Ukrainian singer of Crimean Tatar descent. It relates the tragic episode in Crimea’s history when Stalin deported 240,000 Tatars to Central Asia in the space of two days in May 1944. They were basically dumped in the middle of Uzbekistan and left to fend for themselves. Thousands upon thousands died.
In the West, their story is overlooked because so many millions of other nationalities also perished. But in Crimea and Ukraine, these atrocities are still raw. It’s impossible to understand recent events if your sense of history extends back no further than 9/11.
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