The function of the tragic in art is what it does to, and for, the audience
Greek tragedy was a spectacle, performed seasonally in great festivals dedicated to gods, in huge amphitheatres (“spectators-all- around”) before thousands of people.
Greek tragedy was a spectacle, performed seasonally in great festivals dedicated to gods, in huge amphitheatres (“spectators-all- around”) before thousands of people. Much of the performance, accompanied by music and dance, was sung, making it more like opera than proscenium theatre today. The action was all in the words. It was truly the media of the millennium, whose life was both precious and brief, and whose death was not, as Nietzsche thought, caused by Socrates, coinciding rather with the demise of the democratic state it spoke to.
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